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Taking £2.5 million from the weekend the film which had a massive budget and is set to start a new series of films was expected to smash its way into the box office from studio Warner Bros.
For the director this is below the debut of his top grossing films the Sherlock Holmes movies starring Robert Downey Jnr. which both debuted in the £3 million mark.
Falling into second place is Alien: Covenant which only just missed out on spending a second week at the top with a weekend gross of £2.1 million.
This brings the films total gross to £10 million, Prometheus at this point in its run was doing very similar business so expect this to end its run with a similar £20 million+.
Also new this week is Snatched starring Amy Schumer and Goldie Hawn at number 4 with a debut of £842,000 and Colossal starring Anne Hathaway at number 9 with £150,000.
A year ago
This time last year as the summer season kicked into full swing X-Men Apocalypse entered the chart at the top knocking Captain America: Civil War down to number 4.
Five years ago
The Dictator starring Sasha Baron Cohen was the new film at the top, it knocked Avengers Assemble down to number 2 after 3 weeks at the top.
Ten years ago
Spider-Man 3 stayed at the top for a third weekend, top new film of the week was Zodiac directed by David Fincher at number 3.
Fifteen years ago
Star Wars Episode II: Attack of The Clones was the top new film of the weekend, it knocked About a Boy down to number 2 after 3 weeks at the top.
Twenty years ago
Liar Liar remained at the top for a third weekend while the top new film was The Relic at number 2.
Twenty Five years ago
Spending a second weekend at the top was Basic Instinct, top new film of the week was Waynes World which was new at 2.
Highest new film of the week is at number 7 with the film version of The Office, David Brent Life On The Road.
The David Brent film was released at UK cinemas on 19th August 2016 where it entered at number 3, kept from the top by Finding Dory and Suicide Squad.
It quickly fell out of the top 10 after only 2 weeks but spent another 6 weeks in cinemas, after 8 weeks it made £ 3.6 million.
Also new this week is Swallows And Amazons a number 8 film from August 2016.
We had high hopes but had few thrills, out side of the DC movie Suicide Squad Ghostbusters gave us a good laugh but didn't deliver as expected Finding Dory pulled in the audiences but left us flat.
The rest of the year has some highlights but there is caution as the 2 biggest films are both sequels outside of their parent film series.
Before we even get to them in the latter part of the year we have a number of promises, Captain Fantastic starring Viggo Mortensen looks promising and American hit Kubo and The Two String gives a refreshing animation outside Disney.
Of course we have British favourite Bridget Jones's Baby which is getting good reviews at the moment and a bit after that the recently announced Blair Witch remake/reboot/sequel.
Getting a lot of marketing hype is the remake/retelling of The Magnificent Seven and the looking promising, and a return to form for Tim Burton is Miss Peregrines Home For Peculiar Children.
Tom Hanks returns to detective mode for a third time in Inferno, although I didn't like the previous 2 films and then another sequel emerges mid October with Tom Cruise in Jack Reacher Never Go Back.
Marvel return to their cinematic universe with a new hero in the shape of Doctor Strange and another sequel/reboot come in early November with Rings, the next in (surprise) The Ring series.
After the hotly anticipated Arrival starring Amy Adams arrives the season kicks up a gear with Fantastic Beasts and Where to Find Them, the first move into the Wizarding World outside Harry Potter.
The film, penned by J. K. Rowling, is being hyped to death and not surprisingly, the 8 Potter films did fantastic business at the box office and this is directed by series expert David Yates whic just seems to get the ideas Rowling writes about.
Warner Bros. will be hoping this shows there is still life in the seemingly dormant series and please fans of the original and set up a new generation, 2 more film are already planned.
After that injection things go quiet with unwanted sequel Bad Santa 2 and Tom Hanks (again) in Scully the story of the pilot who landed a plane on the Hudson River.
Then to finish the year off another much lover series goes off piste with Rogue One A Star Wars Story, taking place just before the events of the original Star Wars.
The trailer have looked good and after the excellence of Star Wars: The Force Awakens expectation are massive.
This is a massive risk for Lucasfilms and Disney, and it will either boost the series to height never imagined or will do to the series what Episodes I - III did and nearly kill it, fortunately it has recovered!
To round the rear off we have Michael Fassbender trying to do what many other have failed to do and bring a video game series to the screen in Assassins Creed.
We are coming to the end of the School holidays in the UK and its a time when a lot of families are back from their time away so its perhaps no suprise that the box kids film of the moment returns to the top.
A fantastic 4th weekend gross of £2.8 million takes the total gross to £32.3 million, this puts the film on a level with the original Finding Nemo.
Falling into second place is 2 week champion Suicide Squad, a £2.5 million weekend brings the total gross to an fantastic £27.6 million.
This puts the DC anti-hero film ahead of the DC superhero film Batman V Superman Dawn of Justice from earlier in the year.
Highest new film of the week is a British institution making its debut, David Brent Life On The Road, and although it hasn't done nearly as well as Absolutely Fabulous The Movie from this year is debuts at 3 with £1.4 million.
The Office was such a big hit from over10 years ago, was of its time, and is still loved its a challenge to get that feeling back, and this only looks at one of the characters so it could sink fast.
The Secret Life of Pets is still the top total grossing movie of the week with £33.7 million and the longest running film with 9 weeks.
Interesting note this week, if the chart were calculated from the full weeks taking it would have been a very different picture, Suicide Squad would have retained the top, The BFG would have been 3rd and David Brent Life on the Road would have been 6th
A year ago
Paper Towns made its debut at the top of the UK box office knocking Pixels off the top right down to number 6.
Five years ago
After a massive success on TV The Inbeetweeners Movie took the box office by storm making its debut at the top knocking Rise of The Planet of The Apes to number 2.
Ten years ago
After much internet hype the crowd source scripted movie Snakes On A Plane debuted at the top knocking Cars to number 2.
Fifteen years ago
Tim Burtons Planet of The Apes remake debuted at the top knocking Cats and Dogs down to number 2.
Twenty years ago
Independence Day kept a strong hold of the box office and with very little in the way of new release highest debut was Nick of Time starring Johnny Depp at 7.
Twenty five years ago
Arnold Schwarzenegger had his cinematic finest moment in Terminator 2: Judgment Day which made its debut at the top knocking Robin Hood: Prince of Thieves down to number 2.
Here is the first bit of news for the film in the shape of a logo/poster.
Losts of interesting things to see here, film out in the UK 18th November 2016.
A reasonably good weekend gross of £2.7 million sees then over take Teenage Mutant Ninja Turtles after they spend just a single week at number 1.
Fury is already director David Ayer highest grossing film in the UK although for Brad Pitt it has a long way to go to beat the £25 million of Ocean's Eleven.
Fallling into second place after it's top spot debut last week, the Turtles manage to add £2 million to their gross bringing it to £7.9 after a second weekend of play.
Other new film on the top 15 this week are: The Book of Life at 4, Happy New Year at 8, Love Rosie at 9 and The Babadook at 10.
One year ago
This time last year Cloudy With a Chance of Meatballs 2 made it's debut at the top of the box office knocking Captain Phillips down just a single place to 2.
Five years ago
Up retained it's lead on the box office for a second week leaving the top new film to be Saw VI at two trying the capture the Halloween market.
Ten years ago
Sharks Tale spent another week at the top of the box office, AVP Alien Vs Predator was the highest new film at 2.
Fifteen years ago
Disney's Tarzan spent another week at the top and with a fairly static top 3 the highest new film was Steve martin and Eddie Murphy in Bowfinger at 4.
Holding on with a weekend gross of £3.06 million Gone Girl has taken £9.8 million during it's 10 days of release.
Debuting in second place is the latest teen survival movie in the shape of The Maze Runner, based on the first of James Dashner series of books.
Maze Runner takes £2.04 million from the weekend, not a bad debut although in comparison The Hunger Games took £4.9 million on it's debut while Twilight took a comparable £2.5 million.
Also new this week: Horror movie Annabelle at 3, Event film showing for one weekend One Direction Where We Are at 4, romantic comedy The Rewrite is at 9 (are we getting sick of Hugh Grant?).
One year ago
Prisoners spent an incredible third week at the top of the box office and with a ver static top 5 the highest new film was The Fifth State at 6.
Five years ago
Pixars Up was debuting at the top of the box office knocking off The Invention of Lying which fell to third place.
Ten years ago
Bride and Prejudice as the new film at the top of the charts with the previous weeks number 1 dropping down to third place.
Fifteen years ago
American Pie made it's debut at the top of the box office and Big Daddy fell from the top to the number three spot.
On it's second week of release Gone Girl takes $26.8 million in box office takings to give it a 10 day, 2 weekend, total gross of $78.3 million.
Dracula Untold made a good attempt at beating it but it only managed to enter the box office at 2 this week after taking $23.5 million in box office takings.
Other new film on the American box office are
Alexander and The Terrible, Horrible, No Good, Very Bad Day which enters at 3 with $19.1 million.
The Judge which surprisingly for a Robert Downey Jr. film enters at 5 with $13.3 million.
Addicted which enters at 7 with $7.6 million.
Meet the Mormons entering at 11 with $2.9 million.
It's weekend take of £4.1 million Gone Girl makes a very impressive October debut. It has a long way to go for it to be Ben Affleck's top grossing film which is currently Shakespeare in Love from 1999.
Director David Fincher also has an impressive box office record, his best film to date being 1995's Seven, his second film, and considered a classic.
Coming in quite respectably in second is Dracula Untold which debuts at number 2 with £1.7 million.
Falling a single place to number 3 this week is The Equalizer which add's £1.2 million to make a 10 day total of £4.3.
Last weeks top film was an event movie for one day only, which actually had some “encore” screenings which means it hans on and makes £114,000 this week but, as expected, tumbles down the chart this week.
1 year ago
Prisoners stayed at the top of the box office for a second week while the top new film was Filth at two.
5 years ago
The Fame remake stayed at the top for a second week leaving the highest new film to enter at two, The Invention of Lying.
10 years ago
Tennis film Wimbledon kept hold of the top spot leaving Layer Cake to debut in the runner up spot.
15 years ago
Adam Sandler starred in the highest new film of the week, debuting at one with Big Daddy, The Haunting fell to number two after a week at the top.
20 years ago
October 1994 saw the dominance of The Lion King keep it at the top film of the month while Pulp Fiction and Frankenstein debuted strong in the top 5.
25 years ago
The big film of October 1989 was Back to the Future Part II which was the top grossing movie, Septembers top film Shirley Valentine was still doing well.
Winning the race was the highly anticipated book adaptation Gone Girl. Directed by acclaimed director David Fincher who brought us films like Seven, Gone Girl takes an estimated $38 million over the weekend.
Very close behind is the horror film Annabelle about a satanic doll that terrorises a couple in their house. Developed by the team behind 2013 The Conjuring Annabelle took $37.2 million over the weekend.
Last weeks top film, The Equalizer falls to 3rd place this week with $19 million on it's second week of release.
See the full US top film at 25thframe.co.uk
Sylvester Stallone heads the cast again with the likes of Jason Statham, Mel Gibson, Arnold Schwartzenegger and Harrison Ford all making appearances in the testosterone filled movie the the 80's heavyweights.
The previous 2 films in the series did well at the box office, with the first doing the best, a number 1 debut and a total UK gross of £10 million.
This film has had a lot of hype but probably wont have the power to topple The Inbetweeners 2 from number 1, a number 2 could be on the cards.
Also out is The Rover starring Guy Pearce and directed by David Michod, this had it's first showing at Cannes, has had little hype but could well see a top 5 entry.
Check back next week to see the final UK box office figures
It's third week of general release, and a window with few new films results in a £1.2 million weekend taking Budapest Hotel to the top, and its the only film this week to gross over a million pound.
Last weeks top film, Need for Speed, falls to two in it's second week of release.
Highest new film of the week is at 6, Starred Up directed by David Mackenzie which grosses nearly £500,000 over the weekend.
This weeks new films:
A Long Way Down
About Last Night
Yves Saint Laurent
This time last year animated tale The Croods took the number one spot on it's debut weekend knocking Oz The Great and Powerful to 3.
Five years ago Marley and Me was still riding the top spot while Paul Blart Mall Cop came in at the runner up spot.
Ten years ago it was still Starsky and Hutch at number 1, a strong hold with the whole top 4 meant the highest new film was at 4, Open Range.
Fifteen years ago Waking Ned Devine was the top new film entering the box office, knocking A Bugs Life into second place.
Oz The Great and Powerful is proving to be a huge hit for Disney at it hold the UK box office top spot for a second weekend on the trot. A weekend gross of £2.6 million has meant that after 10 days the film has taken £7.6 million in total.
Side Effects holds it's own at 2 leaving the highest new film, Welcome to the Punch, to land at 3. With only £460,250 for the weekend it's a weak opening for the highest new film. Doing even worse is the new Jim Carey film The Incredible Burt Wonderstone which land at with only just over £300,000.
This time last year The Devil Inside was the debut film at the top with just why of £2 million. John Carter was the film knocked from the top spot after bad reviews and a single week.
Five years ago Roland Emmerich's 10,000 BC was the top film with just shot of £2 million on it's opening weekend. Vantage Point was the film it knocked off after only a week.
Ten years ago Maid in Manhattan was still the top film, a weekend of £1.2 million took it's total gross to £4.6 million. Highest new film was The Life of David Gale which landed at 2 with £725,000.
Fifteen years ago it was still Titanic at the top, enough said, highest new film was As Good As It Gets at 3 with just why of a million pound.
Cloud Atlas is Andy and Lana Wachowski's return to film making after 5 years out of the game. Their most famous film to date is The Matrix from 1999. Their new film stars a host of Hollywood A-Listers including Tom Hanks and Halle Berry and is based on the surreal novel from David Mitchell, the story following characters spanning across decades of time.
Mama is a scare fest horror movie from director Andres Muschietti and is the story of 2 young girls who are found apparently living alone in the woods and brought back to live with a young couple, only to find their dead mother wants them back.
Finally Terrence Mallick releases his latest film To The Wonder that follows a young couple in love on their journey through life after a visit to Mont Saint-Michel.
The actual figure according The British Film Institute is £1.04 billion 5% up on 2010, this amounts to a staggering 171,600,000 tickets sold (more or less), a figure which is a 1.4% increase on the previous year. The large difference in spend to tickets sold seems odd considering ticket prices went down in 2011, but then with the 3D tax you start to realize where the extra comes from.
Films shot in the UK or financed in someway in the UK amounts to just over 36%, that's a staggering 24% up on the previous year, this is an incredible statistic, especially in the wake of prime Minister David Cameron claiming the UK needs to make more blockbusters that make money, go figure!
This year looks to be another big year for movies with some great Hollywood blockbuster due in the coming months which will certainly boost to cinema figures for 2012.
Prime Minister David Cameron is to visit Pinewood Studios on Wednesday (11th Jan) and has said himself that he British film industry should support "commercially successful pictures", but in doing this does it mean film makers loosing their artistic integrity?
In my mind this begs the question, do film makers make films for person reasons, it may be to make art, to make a statement or because the maker has a story they just have to tell, and despite it's commercial success if its going to be seen and enjoyed or acknowledged by the public, despite how small that group might be, it's worth making the film. Or is the making of a film an industry and if the product won't make a profit then why bother to produce it? In reality the films, which make the money, are (generally) big blockbuster.
Last year Britain produced The Kings Speech, The Inbetweeners, Johnny English Reborn and finish off the Harry Potter series (which can arguably be credited to Britain), all successful films which made money at the box office and have continued to make money in the home market (DVD, Blu-ray, downloads). But outside of this there were plenty of films that were lower grossing movies that probably didn't make money.
The "independent" films that Britain produces are often what separates it, and forms the identity of the film industry, India and France also have massive films industries and can be identified by these films which are loved by people in their native countries as well as other nationalities. In the UK we love American (Hollywood) blockbuster for what they are, and it just so happens they make money, maybe it's the marketing push of millions of dollars but they make money, much of which is pumped back into the American economy.
Of course this is the attraction, American mainstream films make money the world over, British films tend to make money only in the UK, the marketing pounds aren't there to promote the film to the same extent abroad. Despite The Kings Speech which won Oscars doing well in the US, The Inbetweeners and Johnny English didn't.
It must be argues that if Britain makes more 'mainstream' films there is a fear of the British film industry just becoming a Little Hollywood, and although it's no bad thing to produce movies that make money (and hence having a larger audience) we shouldn't and can't stop making films which can be truly identifies as British and which probably wont make millions.
Colin Firth and Natalie Portman got their statues, while Christian Bale and Melissa Leo (both for The Fighter) got awarded. Maybe the most unpredictable award for the night was best film and director, most thought that The Social Network and its director David Fincher might clinch it, but The Kings Speech and director Tom Hooper took home the glory.
Toy Story 3 deservedly gained the best animated feature Oscar and in maybe a surprise move Banks diod not get the best documentary Oscar, so no stunt appearance, instead that went to Inside Job, a film from director Charles Ferguson about the financial crisis of 2008.
In all I suppose it was a predictable night, but one where all the Oscars went to deserved winners, something which rarely happens. The awards season is now over, a season which I used to get very excited about, and although I still look at the winners with interest I don't get nearly as excited as I did 10 years ago, maybe Oscar is no longer relevant?
Retaining it number 2 spot is The Kings Speech which is still managing to impress, not only at the box office but at the continuous awards ceremonies at this time of year, a weekend take of £2,739,204 brings its gross of 5 weeks to £30,014,606.
Highest new entry of the week The Fighter, another Oscar contender for many awards the film stars Mark Wahlberg and Christian Bale and is directed by David O. Russell. A weekend take of £ 2,118,140 is good considering the competition.
Black Swan drops a single place to 4 with £1,725,630 while new at 5 is the James Cameron presented Sanctum, it's not doing the same numbers as a Cameron directed film and is maybe a little disappointing with £ 859,064.
Again this weeks box office is a little higher than this time last year where Avatar was still the top film and still raking in a weekend take of over £4million. Highest new entry was Disney's The Frog Princess with Astro Boy following and Invictus not far behind. Sherlock Holmes was still hanging onto the top 5.
Leading the field this year is the Transformers sequel, Revenge of the Fallen, which lets face it was truly awful and in the field for worst film along with All About Steve, G.I. Joe: The Rise of Cobra, Land of the Lost and Old Dogs should win quite comfortably.
As these awards are something which are not taken too seriously, even by the foundation, in the worst actor category we have all 3 Jonas brothers up for a single nomination, in the same category we have Will Ferrell, Steve Martin, Eddie Murphy (who has had his fare share of nominations) and John Travolta.
Worst actress nods go to Beyonce, Sandra Bullock, Myley Cyrus, Megan Fox and Sarah Jessica Parker, and guess which of these was in the Transformers movie that may just pip the rest at the post.
The categories are not in the usual fashion and there is a category for Worst Screen Couple for which the Jonas brothers feature again and Worst Remake, Rip-off or Sequel, which of course the Transformers film appears in.
As we celebrated the end of a decade last year there are also categories for picture, actress and actor that were the worst of the naughties.
For more info check out the Razzies website and here is the nomination list
WORST PICTURE OF 2009
"All About Steve"
"G.I. Joe: The Rise of Cobra"
"Land of the Lost"
"Transformers: Revenge of the Fallen" (a.k.a. "Trannies, Too")
WORST ACTOR OF 2009
All Three Jonas Brothers, "Jonas Brothers: The 3-D Concert Experience"
Will Ferrell, "Land of the Lost"
Steve Martin, "Pink Panther 2"
Eddie Murphy, "Imagine That"
John Travolta, "Old Dogs"
WORST ACTRESS Of 2009
Sandra Bullock, "All About Steve"
Myley Cyrus, "Hannah Montana: The Movie"
Megan Fox, "Jennifer’s Body" and "Transformers: Revenge of the Fallen"
Sarah Jessica Parker, "Did You Hear About the Morgans?"
Any Two (or More) Jonas Brothers, "The Jonas Brothers 3-D Concert Experience"
Sandra Bullock and Bradley Cooper, "All About Steve"
Will Ferrell and any co-star, Creature or "Comic Riff," "Land of the Lost"
Shia Lebouf & Either Megan Fox or Any Transformer, "Transformers: Revenge of the Fallen"
Kristin Stewart and either Robert Pattinson or Taylor Whatz-His-Fang, "Twilight Saga: New Moon"
WORST SUPPORTING ACTRESS OF 2009
Candice Bergen, "Bride Wars"
Ali Larter, "Obsessed"
Sienna Miller, "G.I. Joe"
Kelly Preston,"Old Dogs"
Julie White (as Mom), "Trannies, Too"
WORST SUPPORTING ACTOR OF 2009
Billy Ray Cyrus, "Hannah Montana: The Movie"
Hugh Hefner (as himself), "Miss March"
Robert Pattinson, "Twilight Saga: New Moon"
Jorma Taccone (as Cha-Ka), "Land of the Lost"
Marlon Wayans, "G.I. Joe"
WORST REMAKE, RIP-OFF OR SEQUEL (COMBINED CATEGORY FOR 2009)
"G.I. Joe: The Rise of Cobra"
"Land of the Lost"
"Pink Panther 2" (A Rip-Off of a Sequel to a Remake)
"Transformers: Revenge of the Fallen"
"Twilight Saga: New Moon"
WORST DIRECTOR OF 2009
Michael Bay, "Trannies, Too"
Walt Becker, "Old Dogs"
Brad Silberling, "Land of the Lost"
Stephen Sommers, "G.I. Joe"
Phil Traill, "All About Steve"
WORST SCREENPLAY OF 2009
"All About Steve," screenplay by Kim Barker
"G.I. Joe: The Rise of Cobra," screenplay by Stuart Beattie and David Elliot & Paul Lovett, based on Hasbro's G.I. Joe Characters.
"Land of the Lost," written by Chris Henchy & Dennis McNicholas, based on Sid & Marty Krofft's TV series
"Transformers: Revenge Of The Fallen," written By Ehren Kruger & Roberto Orci & Alex Kurtzman, based on Hasbro’s Transformers Action Figures
"Twilight Saga: New Moon," screenplay by Melissa Rosenberg, based on the novel by Stephenie Meyer
WORST PICTURE OF THE DECADE (3 SPECIAL 30TH RAZZIE-VERSARY AWARDZ)
"Battlefield Earth" (2000) -- Nominated for 10 Razzies, "winner" of 8 (including Worst Drama of Our First 25 Years)
"Freddy Got Fingered" (2001) -- Nominated for nine Razzies, "winner" of five
"Gigli" (2003) -- Nominated for 10 Razzies, winner of seven (including Worst Comedy of Our First 25 Years)
"I Know Who Killed Me" (2007) -- Nominated for nine Razzies, "winner" of eight
"Swept Away" (2002) -- Nominated for nine Razzies, "winner" of five
WORST ACTOR OF THE DECADE
Ben Affleck -- (Nominated for nine "achievements,"winner" of two Razzies) "Daredevil," "Gigli," "Jersey Girl," "Paycheck," "Pearl Harbor," "Surviving Christmas"
Eddie Murphy -- (Nominated for 12 "achievements," "winner" of three Razzies) "Adventures of Pluto Nash," "I Spy," "Imagine That," "Meet Dave," "Norbit," "Showtime"
Mike Myers -- (Nominated for four "achievements," "winner" of two Razzies), "Cat in the Hat," "The Love Guru"
Rob Schneider -- (Nominated for six "achievements," "winner" of one Razzie) "The Animal," "Benchwarmers," "Deuce Bigalo: European Gigolo," "Grandma's Boy," "The Hot Chick," "I Now Pronounce You Chuck & Larry," "Little Man," "Little Nicky"
John Travolta -- (Nominated for six "achievements," "winner" of the Razzies) "Battlefield Earth," "Domestic Disturbance," "Lucky Numbers," "Old Dogs," "Swordfish"
WORST ACTRESS OF THE DECADE
Mariah Carey – (The Single Biggest Individual Vote Getter of the Decade: 70+% Of ALL Votes For Worst Actress Of 2001), "Glitter"
Paris Hilton (Nominated for five "Achievements," "Winner" of four Razzies) "The Hottie & The Nottie," "House of Whacks," "Repo: The Genetic Opera"
Lindsay Lohan -- (Nominated for five "achievements," "winner" of three Razzies) "Herbie Fully Loaded," "I Know Who Killed Me," "Just My Luck"
Jennifer Lopez -- (Nominated for nine "achievements," "winner" of two Razzies) "Angel Eyes," "Enough," "Gigli," "Jersey Girl," "Maid in Manhattan," "Monster-in-Law," "The Wedding Planner"
Madonna -- (Nominated for six "achievements," "winner" of four Razzies) "Die Another Day," "The Next Best Thing," "Swept Away"