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After a couple of weeks of very little excitement at the Uk box office this week explodes with the release of Warner Bros. IT which dominates the chart and easily enters at the top.
IT enters the Uk box office with just over £10 million which puts in in the top 100 for UK best opening films and it is the only film on the top 10 to gross over a million.
The hype that has been put into the marketing of the film has been huge and it has paid off, and with favourable reviews, and Stephen King being a favourite in the UK the film was bound to do well.
With nothing of note coming out this weekend coming IT is bound to continue at the top at least for the next week.
American Made falls from the top to number 2 this week with a gross of just over half a million, this brings the films total gross to £4.3 million after 3 weeks of play.
Once again Despicable Me 3 is the longest running film of the chart with 11 weeks and once again Dunkirk os the highest total grossing film with an excellent £55 million, it is now the 19th highest grossing film ever in the UK.
A year ago
Sausage Party spent a second weekend at the top with the Ben Hur remake the highest new film at number 2.
Five years ago
Dredd was the top film of the week making its debut at number 1 while Total recall fell from the top to number 4.
Ten years ago
Comedy Run Fatboy Run found itself at the top of the UK box office on its debut while The Bourne Ultimatum fell to number 3 after 3 weeks at the top.
Fifteen years ago
The Bourne Identity was the top new film of the week at number one while Insomnia fell from the top to number 2 after a week.
Twenty years ago
The Full Monty stayed at the top for a second weekend while the highest new film of the week was Austin Powers International Man of Mystery which made its debut at number 2.
Twenty five years ago
Alien 3 remained at the top of the UK box office while the top new film was Knight Moves starring Christopher Lambert at number 3.
In North America this weekend Melissa McCarthy kept up her run of number 1 debuting films by taking her latest film Spy to the top of the box office.
Following in the footsteps of Identity Thief, The Heat and Tammy the top funny woman makes her latest and most critically acclaimed film debut with $30 million.
Last weeks top US film, San Andreas, falls down a single place to number 2 this week with $26 million, taking it's total to $99 million after 10 days.
Also new in the US this week is: Insidious Chapter 3 at number 3, Entourage at number 4 and right down outside to top 10, at 11, is Love and Mercy.
Nothing could stop the Man of Steel from taking the top of the UK box office this week as Zack Snyers new take on Superman enters at the top.
We all saw it coming, like a speeding bullet perhaps, the re-imagined Superman franchise achieved big numbers last weekend. During it's opening weekend it took £11.2 million in Britain making it the 36 best opening weekend ever in the UK. After Earth falls into second place, not bad considering the bad reviews it's had.
Last year Prometheus was still at the top of the UK box office and during a quiet week for new releases Rocks of Ages was the highest new film at 4.
Five years go Sex and the City got knocked from the top spot into 2nd as The Incredible Hulk took over during it's opening weekend.
Ten years ago it was still all about The Matrix Reloaded riding the top spot while the highest new film was Identity at 3.
Fifteen years ago it was still The Wedding Singer at the top, and with almost no new films out that week the highest new film was Stiff Upper Lips right down at 10.
We've changed our logo identity here at 25thframe.co.uk, as much as we liked to old style design ideas have moved on.
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A report is due to be released next week suggesting that the UK should make more commercially successful films, this is after a year where the British film industry contributed £4 Billion to the UK economy.
Prime Minister David Cameron is to visit Pinewood Studios on Wednesday (11th Jan) and has said himself that he British film industry should support "commercially successful pictures", but in doing this does it mean film makers loosing their artistic integrity?
In my mind this begs the question, do film makers make films for person reasons, it may be to make art, to make a statement or because the maker has a story they just have to tell, and despite it's commercial success if its going to be seen and enjoyed or acknowledged by the public, despite how small that group might be, it's worth making the film. Or is the making of a film an industry and if the product won't make a profit then why bother to produce it? In reality the films, which make the money, are (generally) big blockbuster.
Last year Britain produced The Kings Speech, The Inbetweeners, Johnny English Reborn and finish off the Harry Potter series (which can arguably be credited to Britain), all successful films which made money at the box office and have continued to make money in the home market (DVD, Blu-ray, downloads). But outside of this there were plenty of films that were lower grossing movies that probably didn't make money.
The "independent" films that Britain produces are often what separates it, and forms the identity of the film industry, India and France also have massive films industries and can be identified by these films which are loved by people in their native countries as well as other nationalities. In the UK we love American (Hollywood) blockbuster for what they are, and it just so happens they make money, maybe it's the marketing push of millions of dollars but they make money, much of which is pumped back into the American economy.
Of course this is the attraction, American mainstream films make money the world over, British films tend to make money only in the UK, the marketing pounds aren't there to promote the film to the same extent abroad. Despite The Kings Speech which won Oscars doing well in the US, The Inbetweeners and Johnny English didn't.
It must be argues that if Britain makes more 'mainstream' films there is a fear of the British film industry just becoming a Little Hollywood, and although it's no bad thing to produce movies that make money (and hence having a larger audience) we shouldn't and can't stop making films which can be truly identifies as British and which probably wont make millions.
UK BBFC Certificate: 15
Highest chart position: 3
Weeks on box office: 6