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Highest chart position: 1
Weeks on box office: 12
Marvels latest superhero goes to the top of the UK box office with an incredibly good opening weekend, far better than could have been predicted.
Ryan Reynolds stars in Deadpool which makes its UK box office debut at the top with an incredible £13.6 million debut.
The film which is being distributed by 20th Century Fox rather than Disney beat all expectation and becomes a new franchise for Marvel, a sequel is in the works.
Falling from the top down to number 5 after a single week is Goosebumps which takes just over £1 million pound bringing its total to £4.1.
Also new this week is Alvin and The Chipmunks The Road Chip at number 2 and maybe a little disappointing Zoolander No 2 at number 2.
Highest grossing film on the box office is Star Wars: The Force Awakens which has not taken an amazing £121 million.
A year ago
Valentines day favourite Fifty Shades of Grey made its debut at the top knocking Big Hero 6 into second place.
Five years ago
Gnomeo and Juliet took over the top spot on its debut from The Kings Speech which fell to number 2.
Ten years ago
Chicken Little from Disney was the top film on its debut and with a top 3 of new releases Zathura A Space Adventure fell from the top to number 5.
Fifteen years ago
What Women Want stayed at the top of the box office for a second week while Dude, Where's My Car? was the highest new film at number 2.
Twenty years ago
Heat stayed at the top for a second week while highest new film was Loch Ness at number 4.
Twenty Five years ago
Oscar winning Dances With Wolves was the highest new film at the top while Kindergarten Cop fell to number 2.
Making it four weeks at the top of the box office chart this week, and becoming the top grossing film ever in the UK in that time Star Wars: The Force Awakens.
The seventh Star Wars film has not taken just about every honour the box office can give, except for highest grossing film across the globe, which it will probably leave where it is.
The figure for The Force Awakens this week are, £6 million for the weekend, £11 million for the week and £108 million total gross, it is of course the highest total grossing film on the chart.
Highest new film of the week is the 8th Quentin Tarantino film (have directors ever promoted film before by how many they have made!) The Hateful Eight which enters the chart at number 2.
The film takes £2.7 million for the weekend, £4 million behind The Force Awakens showing how popular that film still is.
The are no other new films on the box office top 10 this week.
A year ago
Tak3n (Taken 3) was the highest new film of the week knocking The Theory of Everything down to number 3.
Five years ago
Oscar winner The Kings Speech entered that box office at the top knocking Little Fockers down to number 3.
Ten years ago
King Kong remained at the top of the chart and with a static top 2 the highest new film was Just Friends at number 3.
Fifteen years ago
Unbreakable was unmovable at number 1 with the highest new film coming in at number 4 in the shape of Crouching Tiger, Hidden Dragon, good for an oriental movie.
Twenty years ago
Seven (or Se7en) was the highest new film at the top of the box office knocking Ace Ventura When Nature Calls down to number 2.
Twenty five years ago
Arachnophobia came in at the top and knocked Home Alone to number 2.
For the first time the UK box office surpass the £1 billion takings in a single calendar year, helped by big hits such as Harry Potter and the Deathly Hallows Part 2, The Kings Speech and The inbetweeners, all British films.
The actual figure according The British Film Institute is £1.04 billion 5% up on 2010, this amounts to a staggering 171,600,000 tickets sold (more or less), a figure which is a 1.4% increase on the previous year. The large difference in spend to tickets sold seems odd considering ticket prices went down in 2011, but then with the 3D tax you start to realize where the extra comes from.
Films shot in the UK or financed in someway in the UK amounts to just over 36%, that's a staggering 24% up on the previous year, this is an incredible statistic, especially in the wake of prime Minister David Cameron claiming the UK needs to make more blockbusters that make money, go figure!
This year looks to be another big year for movies with some great Hollywood blockbuster due in the coming months which will certainly boost to cinema figures for 2012.
This week War Horse remains at the top of the UK box office chart while the highest new film is Haywire.
Last Year The Kings Speech was still top of the box office with Black Swan the top new release.
Five years ago Rocky Balboa made a return to the top of the box office and was also the highest new film.
Ten Years ago The Lord of the Rings: The Fellowship of the Ring was still at the top while Black Hawk Down was the top new film.
Check out the charts in full
A report is due to be released next week suggesting that the UK should make more commercially successful films, this is after a year where the British film industry contributed £4 Billion to the UK economy.
Prime Minister David Cameron is to visit Pinewood Studios on Wednesday (11th Jan) and has said himself that he British film industry should support "commercially successful pictures", but in doing this does it mean film makers loosing their artistic integrity?
In my mind this begs the question, do film makers make films for person reasons, it may be to make art, to make a statement or because the maker has a story they just have to tell, and despite it's commercial success if its going to be seen and enjoyed or acknowledged by the public, despite how small that group might be, it's worth making the film. Or is the making of a film an industry and if the product won't make a profit then why bother to produce it? In reality the films, which make the money, are (generally) big blockbuster.
Last year Britain produced The Kings Speech, The Inbetweeners, Johnny English Reborn and finish off the Harry Potter series (which can arguably be credited to Britain), all successful films which made money at the box office and have continued to make money in the home market (DVD, Blu-ray, downloads). But outside of this there were plenty of films that were lower grossing movies that probably didn't make money.
The "independent" films that Britain produces are often what separates it, and forms the identity of the film industry, India and France also have massive films industries and can be identified by these films which are loved by people in their native countries as well as other nationalities. In the UK we love American (Hollywood) blockbuster for what they are, and it just so happens they make money, maybe it's the marketing push of millions of dollars but they make money, much of which is pumped back into the American economy.
Of course this is the attraction, American mainstream films make money the world over, British films tend to make money only in the UK, the marketing pounds aren't there to promote the film to the same extent abroad. Despite The Kings Speech which won Oscars doing well in the US, The Inbetweeners and Johnny English didn't.
It must be argues that if Britain makes more 'mainstream' films there is a fear of the British film industry just becoming a Little Hollywood, and although it's no bad thing to produce movies that make money (and hence having a larger audience) we shouldn't and can't stop making films which can be truly identifies as British and which probably wont make millions.