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25thframe.co.uk > Action | Adventure | Comedy | Crime | Drama > Johnny English Reborn

Johnny English Reborn

(2011)

Director(s)
Stars
Richard Schiff
Roger Barclay
Eric Carte
Togo Igawa
Eleanor Wyld
Mandi Sidhu
Margaret Clunie
Tim McInnerny
Mariella Frostrup
Miles Jupp
Pik Sen Lim
Williams Belle
Paul Carr
Courtney Wu
Rupert Vansittart
Emma Vansittart
Christina Chong
Siu Hun Li
Jos�phine de La Baume
Wale Ojo
Chris Jarman
Andrew Woodall
Burn Gorman
Isabella Blake-Thomas
Janet Whiteside
Maisie Fishbourne
Mark Ivanir
Gary Kane
Lobo Chan
Clara Paget
Richard Syms
Lily Atkinson
Dave Holland
Benedict Wong
Ellen Thomas
Ian Shaw
Oliver Zheng
Andrei Alen
Seelan Gunaseelan
Teresa Mahoney
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News
This weekend Jack Reacher gave it a good go but in the end her was not good enough to stop the Trolls from hitting the top on its debut weekend.

The new IP from Dreamworks hits the top with a weekend gross of £5.4 million which is about average for an animation from the studio, Kung Fu Panda 3, the last film from them took £4.7 million on its opening.

If things go as usual Trolls could get somewhere in the £10 million mark especially with a fairly decent debut.

The Girl on The Train falls from the top this week after a couple of weekends at the top, a £2 million weekend takes the film to £17.7 million after 3 weeks of release.

Also new this week is Jack Reacher Never Go Back which lans in the runner up spot with £2.6 million, this is in the ballpark, but lower, of the first film with took £3.5 million on its debut.

Longest running film of the week is The BFG which has been around now for 13 weeks and the highest total grossing movie is Bridget Jones's Baby now on £44.5 million.

Historical charts

A year ago
Hotel Transylvania 2 stayed at the top for a second week while top new film was Paranormal Activity The Ghost Dimension at number 3.

Five years ago
Halloween took Paranormal Activity 3 to the top of the box office on its debut while Johnny English Reborn fell to number 2 after 3 weeks.

Ten years ago
The Departed stayed at the top for a second week while highest debuting film was Barnyard at number 3.

Fifteen years ago
American Pie 2 stayed at the top while America's Sweethearts made its debut at number 2.

Twenty years ago
New at the top was the fantasy film Dragonheart while The Nutty Professor fell into the runner up spot after 2 weeks at the top.

Twenty five years ago
Making its debut at the top was City Slickers while Drop Dead Fred fell to number 3.

With a new Tom Hanks film in cinemas and a Dan Brown adaptation at that it was assumed that The Girl on The Train would be a one week wonder, but Inferno was not strong enough.

Emily Blunt thus makes it 2 weeks at the top with The Girl on The Train with a second weekend gross of £3.4 million.

This brings the total gross of the film in the UK to £13.6 million, if you compare this to last years Gone Girl it is actually head of that films £9 million after 2 weeks.

Highest new entry of the week comes in at number 2 in the shape of Inferno from the book by Dan Brown and a sequel to The De Vinci Code and Angela and Demons.

Inferno makes in debut with £2.9 million which is the lowest of the series so far, The De Vinci Code and Angela and Demons made £9 million and £6 million respectively on their debuts.

Also new this week is Storks at number 3 and event movie Miss Saigon 25th Anniversary Performance which was a one off performance in Saturday night.

Longest running film this week is Finding Dory with 12 weeks, it is also the highest total grossing movie with £42 million, this is far higher that Finding Nemo even if you take inflated ticket prices into account.

Historical charts

A year ago
Hotel Transylvania 2 was the film making its debut at the top, it knocked The Martian down to number 2.

Five years ago
Johnny English Reborn stayed at the top for a second weekend while top new film was The Three Musketeers at number 3.

Ten years ago
The Departed went to the top of the box office after making its debut at number 2 the previous week think Open Season was the top new film.

Fifteen years ago
American Pie 2 was new at the top while Moulin Rouge slipped down to number 2 after going back to the top.

Twenty years ago
The Nutty Professor stayed at the top for a second week while top new film was Robin Williams in Jack.

Twenty five years ago
Drop Dead Fred was the new film at the top while Out For Justice fell from the top to number 6.

On the UK box office this week Emily Blunt knocks off Renee Renée Zellweger as Bridget Jones is no match for The Girl on The Train.

Making its debut with just under £7 million The Girl on The Train is aiming for a similar target audience as Gone Girl which was released early October of 2014 and did very well.

This film which is also based on a bestselling novel has managed to come in £2 million higher despite reviews not being as favourable.

After 3 weeks at the top is it time for Bridget Jones's Baby to surrender the top spot and with a £2.9 million weekend falls to number 2.

The film cant be too sorry for itself as it has grossed £37.8 million so far and at the current pace will most likely become the most successful of the series.

Also new this week are War On Everyone at number 7 and Tristan und Isolde from the Metropolitan Opera which is new at 8.

Highest total grossing movie this week id Finding Dory with £41 million and longest run is The Secret Life of Pets which has now been around for 11 weeks.

Historical chart

A year ago
The Martian remained at the top for a second week while top new film Sicario entered at number 2.

Five years ago
Johnny English Reborn made its debut at the top of the box office with Tinker, Tailor, Soldier, Spy falling to number 3.

Ten years ago
The Devil Wears Prada was the new film at the top while Click slipped down to number 3.

Fifteen years ago
Moulin Rouge made its way back to the top of the box office after Artificial Intelligence: AI spend 2 weeks there. Artificial Intelligence: AI fell to number 2.

Twenty years ago
The Nutty Professor was the top new film on the UK box office, it knocked off Last Man Standing.

Twenty five years ago
Out For Justice debuted at the top, knocking off Terminator 2: Judgement Day after 7 weeks at the top, it fell to number 3.

A report is due to be released next week suggesting that the UK should make more commercially successful films, this is after a year where the British film industry contributed £4 Billion to the UK economy.

Prime Minister David Cameron is to visit Pinewood Studios on Wednesday (11th Jan) and has said himself that he British film industry should support "commercially successful pictures", but in doing this does it mean film makers loosing their artistic integrity?

In my mind this begs the question, do film makers make films for person reasons, it may be to make art, to make a statement or because the maker has a story they just have to tell, and despite it's commercial success if its going to be seen and enjoyed or acknowledged by the public, despite how small that group might be, it's worth making the film. Or is the making of a film an industry and if the product won't make a profit then why bother to produce it? In reality the films, which make the money, are (generally) big blockbuster.

Last year Britain produced The Kings Speech, The Inbetweeners, Johnny English Reborn and finish off the Harry Potter series (which can arguably be credited to Britain), all successful films which made money at the box office and have continued to make money in the home market (DVD, Blu-ray, downloads). But outside of this there were plenty of films that were lower grossing movies that probably didn't make money.

The "independent" films that Britain produces are often what separates it, and forms the identity of the film industry, India and France also have massive films industries and can be identified by these films which are loved by people in their native countries as well as other nationalities. In the UK we love American (Hollywood) blockbuster for what they are, and it just so happens they make money, maybe it's the marketing push of millions of dollars but they make money, much of which is pumped back into the American economy.

Of course this is the attraction, American mainstream films make money the world over, British films tend to make money only in the UK, the marketing pounds aren't there to promote the film to the same extent abroad. Despite The Kings Speech which won Oscars doing well in the US, The Inbetweeners and Johnny English didn't.

It must be argues that if Britain makes more 'mainstream' films there is a fear of the British film industry just becoming a Little Hollywood, and although it's no bad thing to produce movies that make money (and hence having a larger audience) we shouldn't and can't stop making films which can be truly identifies as British and which probably wont make millions.

Chart info

UK release date:

Highest chart position: 1

Weeks on box office: 9

Chart history
Date
Place
Gross
1 / N
£4,965,000
1 / ▼▲
£3,072,542
2 / 
£2,052,062
3 / 
£1,787,451
4 / 
£832,068
7 / 
£506,200
8 / 
£256,828
12 / 
£164,057
14 / 
£33,076
Non-chart history
2 December 2011
£59,051
9 December 2011
£15,104
16 December 2011
£5,519
23 December 2011
£2,127
6 January 2012
£2,659
13 January 2012
£2,748
20 January 2012
£2,203
27 January 2012
£2,247
3 February 2012
£1,093
10 February 2012
£245
17 February 2012
£204
24 February 2012
£25,655
2 March 2012
£1,218
9 March 2012
£186
16 March 2012
£360
23 March 2012
£71
30 March 2012
£209
Finer details

Total UK gross £20,660,790 and the 200th top grossing film in the UK

UK BBFC Certificate: PG

Genres:
Films in series